The attacking wrestler stands over a face-down opponent, facing the same direction. Big Show uses a kneeling variation of this move called the Colossal Clutch. A rolling variation of the camel clutch is also used, with this variation popularized by Maryse Ouellet, dubbed French Pain. WWE wrestler Veer Mahaan uses this move as a finisher calling it the Cervical Clutch. Another version of this move sees the wrestler standing over the opponent who's face-down reaches for and places the opponent's nearest arm around the wrestler's far waist before applying the hold. His nephew Bron Breakker has also used the standing version as well. A standing variation of the camel clutch is also used, with this variation popularized by Scott Steiner in the late 1990s as he used it as his finisher, dubbed the Steiner Recliner. Miro performs a variation he calls Game Over, where he stomps on his opponent's back before applying the hold, this move was previously called The Accolade when Miro was Rusev in the WWE. The move was invented by Gory Guerrero in Mexico, where it was called la de a caballo (horse-mounting choke), but got its more common name from Ed Farhat, who wrestled as "The Sheik" and used it as his finisher. A camel clutch can also refer simply to a rear chinlock while seated on the back of an opponent, without placing the arms on the thighs. The wrestler then reaches forward, cups their hands with their fingers interlocking, grab the opponent's chin in their cupped hands, and lean back, pulling on the opponent's chin and applying pressure to their back. The wrestler reaches down to pull the opposing wrestler up slightly, sits on the opponent's back, and places both of the opponent's arms across their thighs, usually locking at least one by placing the arm in the crook of their knee. The wrestler begins the hold by standing over a face-down opponent. Tajiri applying a camel clutch to Rene Bonaparte Head, face, chin, and shoulder stretches Camel clutch Likewise, chokes are usually not applied to the point where they cut off the oxygen supply to the opponent's brain. In public performance, for safety's sake, stretches are usually not performed to the point where the opponent must submit or risk injury. Chokes, although not in general stress positions like the other stretches, are usually grouped with stretches as they serve the same tactical purposes. Many of these holds, when applied vigorously, stretch the opponent's muscles or twist their joints uncomfortably, hence the name. Stretches are usually employed to weaken an opponent or to force them to submit, either vocally or by tapping out: slapping the mat, floor, or opponent with a free hand three times. Moves are listed under general categories whenever possible.Īn element borrowed from professional wrestling's catch wrestling origins, stretches (or submission holds) are techniques in which a wrestler holds another in a position that puts stress on the opponent's body. Some wrestlers use these holds as their finishing maneuvers, often nicknaming them to reflect their character or persona. This article covers the various pins, stretches and transition holds used in the ring. Professional wrestling holds include a number of set moves and pins used by performers to immobilize their opponents or lead to a submission.
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